With Alexandre Liberman in 1932 the magazine fétichise the catch of sight of manner D of retaining qu of them a fraction in S inspiring of the dadaïstes. Page-setting makes visible the intentions and under heard. The setting in scene of the images takes precedence over the text. The assembly does not prove it calls a reaction and makes function imagination and the phantasms.
On plan of the photography of report the exposure before is very conceived so that each one can look at a profusion of images, without superficiality, and enter the development of a media system by having all the elements “under the eyes”.
Commissaire : Michel Frizot, directeur de recherche au CNRS, historien de la photographie et Cédric de Veigy, enseignant chercheur en photographie et cinéma. |